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Traveling Blues show no. 60, August 29, 2012
Tonight's show celebrated the birthdays of Dinah Washington, Spider John Koerner,
L.C. Ulmer, Jack Teagarden, Luther "Snakeboy" Johnson, Robert Crumb, and Gayle Dean Wardlow.
We featured new recordings by Dennis Jones, the touring Ruf records project Girls With Guitars,
Roger "Hurricane" Wilson with Willie Big Eyes Smith, and our own expat representative in Chicago - Guy King.
here's our playlist:
01. Guy King - I Am Who I Am, and It Is What It Is
02. Guy King - Last Fair Deal Gone Down
03. Willie "Big Eyes" Smith and Roger "Hurricane" Wilson - Eyesight To The Blind
04. Ruth Brown - I Would If I Could
05. Dinah Washington - Begging Mama Blues
06. Koerner, Ray, and Glover - Good Time Charlie
07. Koerner, Ray, and Glover - Ramblin' Blues
08. L.C. Ulmer - Hip Shake
09. Muddy Waters - Walking Through the Park
10. Jack Teagarden - I've Got A Right To Sing the Blues
11. Dennis Jones - My Kind of Blues
guest station ID - Mitch Woods
12. Dawn Tyler Watson - Wild Wild Woman
13. Samantha Fish/Girls With Guitars - Leaving Kind
14. Reverend KM WIlliams - I'm Comin' Home
Traveling Blues show no. 60, August 29, 2012
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Eli Dr. Blues Marcus - Blues, Blues, Blues, and some other stuff too...
Showing posts with label acoustic guitar. Show all posts
Showing posts with label acoustic guitar. Show all posts
Wednesday, August 29, 2012
Wednesday, December 17, 2008
R.I.P. Davy Graham - Brit guitar virtuoso
It's a sad day for guitarists and guitar fans around the world!
R.I.P. Davy Graham (1940-2008)
For those who are not familiar with Davy Graham (born in Leicester to a Scottish mother)
he wrote a famous little guitar instrumental named "Anji" (sometimes spelled "Angi")
(not to be confused with Mick Jagger's song "Angie")
Graham was a pioneering young virtuoso guitarist who was equally adept at playing
English Folk songs, Beatles, American Blues, modern Jazz, and even Indian music on his guitar.
I recommend the album "Folk , Blues and Beyond" as a starting point that represents his best work
[ Folk Blues and Beyond on AMG ]
His Blues and Jazz interpretations were particularly fresh and innovative in the early 60's when most acoustic players were still deep in the Folk traditions, and I guess that is my attraction to Graham's music - his take on the Charles Mingus tune "Better Get It In Your Soul" for example, which echoed the John Renbourn/Bert Jansch take on Mingus's "Goodbye Porkpie Hat" from the same period. They were all part of the same scene of what I would term "Acoustic Avant Garde Guitar", pushing the boundaries of what one could play on an acoustic guitar at the time.
Graham was to me the most mysterious of the group because he was much less accessible than the rest - his recordings were very hard to find until recently when the digital download age resulted in an explosion of reissues of many of Graham's albums from the 60's (many of those are uneven or not up to the same standard as "Folk Blues and Beyond" and "3/4 A.D.", so you must preview each album before buying).
The song Anji was named after Graham's big love at the time (early 1960's)
and was recorded by Paul Simon on the album "Sounds of Silence" (1966)
Paul Simon also used the tune as the basis for his song "Somewhere They Can't Find Me"
Fellow Scotsman and friend of Graham's - Bert Jansch recorded the definitive version of Anji on his album "Lucky 13" (1966)
and continues playing Anji to this day in his regular repertoire on stage.
And of course, there is the Israeli connection to this story - a man named Sidney Katzenel (another Scotsman)
who was a friend of both Bert Jansch and Davy Graham, and lived in Israel from the late 60's onward
(Sidney lived in Nahariya, where he was a high school teacher and a musician),
Sidney claimed that he had a direct hand in the composition of the song Anji.
And more Israeli connections - the namesake of the song, Anji herself, apparently migrated to
Israel sometime in the late 60's, and was living in Rosh Pina.
I don't know if she is still alive or her whereabouts,
but some people in the Israel folk community have told me they once knew her...
Rest in peace Davy Graham...
R.I.P. Davy Graham (1940-2008)
For those who are not familiar with Davy Graham (born in Leicester to a Scottish mother)
he wrote a famous little guitar instrumental named "Anji" (sometimes spelled "Angi")
(not to be confused with Mick Jagger's song "Angie")
Graham was a pioneering young virtuoso guitarist who was equally adept at playing
English Folk songs, Beatles, American Blues, modern Jazz, and even Indian music on his guitar.
I recommend the album "Folk , Blues and Beyond" as a starting point that represents his best work
[ Folk Blues and Beyond on AMG ]
His Blues and Jazz interpretations were particularly fresh and innovative in the early 60's when most acoustic players were still deep in the Folk traditions, and I guess that is my attraction to Graham's music - his take on the Charles Mingus tune "Better Get It In Your Soul" for example, which echoed the John Renbourn/Bert Jansch take on Mingus's "Goodbye Porkpie Hat" from the same period. They were all part of the same scene of what I would term "Acoustic Avant Garde Guitar", pushing the boundaries of what one could play on an acoustic guitar at the time.
Graham was to me the most mysterious of the group because he was much less accessible than the rest - his recordings were very hard to find until recently when the digital download age resulted in an explosion of reissues of many of Graham's albums from the 60's (many of those are uneven or not up to the same standard as "Folk Blues and Beyond" and "3/4 A.D.", so you must preview each album before buying).
The song Anji was named after Graham's big love at the time (early 1960's)
and was recorded by Paul Simon on the album "Sounds of Silence" (1966)
Paul Simon also used the tune as the basis for his song "Somewhere They Can't Find Me"
Fellow Scotsman and friend of Graham's - Bert Jansch recorded the definitive version of Anji on his album "Lucky 13" (1966)
and continues playing Anji to this day in his regular repertoire on stage.
And of course, there is the Israeli connection to this story - a man named Sidney Katzenel (another Scotsman)
who was a friend of both Bert Jansch and Davy Graham, and lived in Israel from the late 60's onward
(Sidney lived in Nahariya, where he was a high school teacher and a musician),
Sidney claimed that he had a direct hand in the composition of the song Anji.
And more Israeli connections - the namesake of the song, Anji herself, apparently migrated to
Israel sometime in the late 60's, and was living in Rosh Pina.
I don't know if she is still alive or her whereabouts,
but some people in the Israel folk community have told me they once knew her...
Rest in peace Davy Graham...
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